#dont tell me this didnt happen

[adharastarlight]

Sirius: reggie? whatre you doing up?

Reg, who was leaving James' room: I needed water. Besides its not that late

Sirius: oh. what time is it?

Reg: i dont know, like 4-

[sincerelytan]

I'm really loving this poster and boy do I have a story behind it

So looking at all the paint splashes on everyone, this is my theory

All the DigiDestined and their Digimons have gathered for an art class for a weekend activity.

Everyone has picked a different canvas and style of art to do with their Digimon.

Everyone is in great spirits and having fun.

Mimi and Hikari are next to each other and are talking, giggling, gossiping and having a blast.

Tai overhears them giggling and wants to know the joke. Mimi and Hikari tease him and have fun. Tai splashes paint on them and the three of them begin to throw paint on each other.

Izzy who was next to Tai and Kari gets splashed and they all quite down because they think he will get angry.

Izzy surprised slowly wipes the paint from his face, while the three of them apologise. Very slowly he dips his paint brush in the can that Tentomon was holding and splashes paint on the three of them.

A full on paint war starts and Mimi goes to splash everyone with all the colours from her paint pallet.

Tai is running behind Agumon as the paint fight continues, because he was teasing Tai that Kari and Mimi got the better off him.

Sora was busy with her work and got splashed by Izzy, Mimi and Kari.

Mimi sees Yamato and Joe working on their art and goes quietly towards them and applies her paint on them.

Yamato starts running behind Mimi, laughing and wanting to splash her for covering him in green, blue and pink from her pallet.

Mimi runs and just as Yamato is about to spray his colour on her, she hides behind Joe, who is now also coloured in Yama's blue. Joe tries to get Yamato with his brush, but Yamato runs away.

Mimi comes later on and applies a green on his face as victory and Yama just smiles and lets her apply the paint.

And of course Takeru happily lets Mimi put paint on him

.

[hinamie]

sidelong

[kiingbiing]

Princess L

[skunkes]

[milkbreadtoast]

idk how i want to draw him yet and not ready to make a srs attempt but here's a bad kdj phone doodle lol🚶🏻

[pilkypills]

rankin bass bagginshield. as a treat.

[mrmeepsmadmind]

traumatized dickweeds turn to torturing each other so they can distract from the fact that they both need therapy

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[coolnonsenseworld]

Samurai and Ninja in crappy pics because December here is under a constant cloud and I just want y'all to see them all golden and cute without learning how to take aesthetic pictures 🥴 💙❤️😆🥰

linktr.ee/Mezzy

[spaciebabie]

at first getting diagnosed with cptsd was like, "yay my trauma has been validated (it always was valid)!" and i really thought that was going to be it, but then i started to do research as i do whenever i realize i have something and learned that!! the way i experience socialization is!! quite horrid actually!!

[simplydnp]

something about the fondness in which phil looks at dan and says "this is me trying to play the piano" makes me think about the two of them sitting on the piano bench together while dan tries to teach him

[insomnya777]

From: Etho [Hermitcraft]

To: Joel [Empires]

It's been two days, thirteen hours, and forty seven minutes since I got back home. I haven't really done anything since. I've just been thinking about you. And me. Us.

Sorry. That's probably weird to read. I don't even know if you remember me.

Anyways. Hi.

I miss you.

I never realized how lonely I was before I met you.

I don't know what I'll do if you don't remember me.

God, I sound pathetic.

Read on AO3

[lovesickeros]

can.. can I ask for an affectionate reader with characters who aren’t normally like… used to the love? like, not just through words but physical affection like hand-holding, kisses, hugs, all that shebang. probably with a few people like yelan, ei, basically any character that is either cut-off from society or seems socially distant or isolated. 😞

☆ affectionate reader with yelan, ei, & furina

[ 4.2 Archon Quest spoilers ]

× yelan

Varies between how you display your affection, to be honest. Just like being affectionate with people? She's cool with it as long as you don't pop by while she's working (mostly because she'll end up dragging you into it for a bit of fun). I don't think she's all that touchy feely herself, but she'll absolutely get you gifts instead– like pretty knick nacks? She'll make sure to snag any she thinks you might like. Like a good meal? Sure, she'll take you out to one of the restaurants in the city, doesn't matter how expensive. Her treat. If you do prefer physical gifts rather then being taken out, you'll eventually get used to the random unmarked letters and packages showing up where your staying pretty often. It's obvious to know who it came from even if she never signs anything.

Flirty reader, though? Whole nother can of worms and now it's a challenge. The more confident you are the more interested she is. The other acolytes would absolutely seethe at the idea but she has no hesitation at just straight up flirting back– she's as charismatic as they come and she's got a poker face that's basically impenetrable. She'll probably also make a bet to see who cracks first (she always wins, unsurprisingly). Probably won't get dragged into any of her schemes this way but if you ask politely maybe she'll consider it, anyway.

The smell of freshly brewed tea and the clatter of dice across wood was a common sight at the Yanshang Teahouse– less common was the woman secluded in the far corner, her lips pulled into a grin that flashed fangs and a look that would scare off the most confident of men.

She'd normally try to scope out any new blood that'd made the mistake of stepping into her teahouse and was equally stupid enough to accept a gamble against her just for the thrill of it, but she was far too absorbed in the warm body at her side, one of her die clasped tightly in their hand as she guided them through the motions– they had a knack for it, she had to admit. The thought made her preen, the clatter of the die as it rolled across the table giving her that subtle, familiar rush.

Even if she knew exactly where it'd land.

"Six. Hm, maybe you're just lucky," She muses, plucking the die from the table and holding it up to her eye like a prized jewel, "Or maybe you're not as innocent as you'd have us believe." There's a sharp glint in her eyes at the prospect, but everyone else has the sense to keep their heads down and their words to themselves as she tosses the die herself.

"So why don't we find out and make a bet, just between you and me?"

× ei

Varies between Ei and the Shogun, because you'll probably be seeing either as much as the other. Sometimes you gotta really squint to tell who it is sometimes, but you get used to it. Both are fairly similar, though, in that their first instinct (especially in public) is to tense up like you're about to attack them or something. Difference is Ei eventually relaxes after a solid minute of trying to process your sudden affection and, if no one else is around, she might even reciprocate. Just don't tease her for being a little stiff and awkward about it, she's trying. That's what happens when your only company is a robot and uh. Nothing. For like 500 years. She's trying. Raiden, on the other hand, is just about as awkward as you can imagine. She's polite (blunt) about it because Ei is fond of you and also you are. The Creator. But she's not really built to deal with personal relationships and so she doesn't know how to deal with affection.

..Depending on what you do you may or may not blue screen Ei hard enough that she retreats back to PoE

Ei usually isn't fond of sitting still, unless it's to meditate. At least then she goes in with a purpose, something to achieve– but now, she's just focused on trying not to make a fool of herself. Her muscles are starting to ache from how hard she's tensing, though, in an effort to sit as straight and still as possible as their hands glide through her hair, weaving it into a single braid.

She can just barely hear the subtle lilt of their voice as they hum– and though it is soothing, it is also..very distracting. She can't focus long enough to try and meditate, too lost in the gentle rise and fall of their voice and the care they take to braid her hair. If she'd had a heart, she'd sure it'd be beating so wildly against her ribcage they could hear it.

But then it stops– their hands fall back to their sides and their humming falters. She freezes, too, racking her brain for any slights she must have committed. Instead, she is met with a calm, tender touch on the back of her neck, making her inhale sharply.

"Am I making you uncomfortable, Ei? You're so tense.." She has to grit her teeth to stop herself from bowing so low her head presses against the ground, her hands folded in her lap, clenching instinctively. "..No, Divine One." She answers simply, trying to contain the adoration swelling in her chest.

Yet as much as she tries to relax, to ease their worries, she finds that she cannot.

"Hm." That small murmur, a simple sound that nearly made her jump, was the only warning she got before they scooted closer, wrapping their arms around her stomach and resting their chin on her shoulder with a grin she would liken to Miko's, if she dared to make such a comparison. "Really?"

She swears she must've been feverish at the affection, lightheaded and dazed until she thought she might simply perish at the brush of their hands against her own.

Much to her embarrassment, however, she doesn't realize she's instinctively pulled back into Plane of Euthymia until she sees the familiar dull purples engulf her vision once again.

Though only a small solace, it seemed a little..brighter, this time.

× furina

Varies between pre 4.2 and post 4.2 archon quests to be honest.

Pre 4.2 she comes off as very vain– of course the most Divine would see fit to spoil her with affection! She deserves it, and is obviously their favorite! Just don't look too hard because she's terrible at hiding how flustered she actually is. Absolutely goes home right after and screams into her pillow for at least thirty minutes minimum.

Post 4.2 she's a lot more openly bashful and flustered. She's really not used to affection and even the smallest show of it has her folding immediately. Now that she doesn't need to worry about being found out she's a lot more receptive to affection. Cup her cheeks and compliment her and her knees are buckling. Like. Especially weak for compliments and praise (she deserves it. please spoil her).

She swears she must be hallucinating– she had been having trouble sleeping recently. But..no. The visage of the Creator was as real as the sweat beading on her brow as she stared at them for a long, awkward moment. Should..she let them in? But then they'd see the pathetic state she was in, and the last thing she wanted to do was make a fool of herself in front of them-!

Her choice was quickly made for her, anyway, as she let out an undignified squeak of surprise when they suddenly tugged her forward into their chest, enclosing her in a hug.

Her first reaction was to freeze– her second was becoming absolutely flustered, her cheeks flushing a soft pink and her mouth closing and opening as she tried to find her words.

"I– ah..um." She stumbled over her words instead, floundering like a fish out of water. Yet she felt a distinct sense of emptiness wash over her when they finally pulled back, looking a touch sheepish. "Sorry, sorry– you just looked like you needed a hug."

The silence spoke for itself, her shoulders tensing slightly. But the way the concern and affection bled through their voice made her waver, her hands trembling as she let out a shaky breath that almost sounded like a sigh.

"It's..It's fine! Fine, I'm fine." She repeated, trying desperately to ignored the way her voice cracked and how hot her face felt– though it was more an attempt to affirm herself that she was not thinking about how warm they felt, how much she..actually enjoyed the hug. She wasn't thinking about it all! Absolutely not!

..Maybe a little.

"Just warn me next time, please?"

[oswaldthatendswald]

This is not a new observation, but I think One Piece handles Doflamingo's backstory-- how it continues to affect his behavior and choices, as well as how it fits into the overall story-- exceptionally well. The villain who is evil due to a tragic past is a very well-established trope, but it is increasingly done quite poorly. Attempts to flesh out a villain and garner sympathy for them can become misguided justifications for their actions or goals, muddying the themes and tone of a story. My point isn't that morally complex characters can't be interesting when done competently and purpose; it's that when the villain with a tragic past is meant to be evil but his past becomes a justification, the writers' intended dynamics of the story are damaged.

Doflamingo's story never has that problem. His backstory makes it perfectly clear why he does the things he does, but it never implies that he is right to do them. It is a reason, not an excuse. The reader gets the sense that Doflamingo is very much the product of his childhood: first the golden excess of a Celestial Dragon, then the abrupt fall from grace into hatred and pain. It's the perfect storm to set a person down the worst paths possible.

But I think the reader might also feel (or at least I did) that this wasn't a fate set in stone. Doflamingo could have unlearned the ideology of a Noble and perhaps that the harm done to him doesn't justify further harm-- except that the only guidance he ever got was worship by Trebol and the other Executives, who were the nail in the coffin for any redemption Doflamingo might have had. Their appearance only validated and affirmed the beliefs Doflamingo already held regarding his place in the world.

Instead of ham-handed sympathy bait, Doflamingo's backstory is a beautifully executed extension of the worldbuilding and themes already present in the story. It is another tragedy in a world of tragedies, another story where children are put through hell. But without the external guidance and support the heroes get, Doflamingo takes the other path, becoming another perpetrator of tragedies, and a reminder that our heroes are the people they are as much (or more) because of the love and mentorship they had than due to innate goodness. It's the road less traveled, but they still might have traveled it.

[ef-1]

🍷<3